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2 years ago
Empire of Ashes - Chapter Three: The First Blow
Erstellt vor 2 years ago · 15 kommentare· 0 Likes
Flux
The sharp, metallic clang of iron against stone echoed through the alleyway as the first shot cracked through the night. John Sullivan stopped mid-step, his hand instinctively going to the inside of his coat, where the cold grip of his revolver lay waiting. A split-second later, the sound of breaking glass shattered the eerie quiet of the streets.
The docks were alive with movement now—figures emerging from the fog, shouting, scrambling to find cover. Sullivan’s men, spread thin and out of position, moved like ghosts in the mist, some firing blind into the shadows, others diving behind crates of smuggled goods. The low growl of a boat engine buzzed from the harbor, cutting through the rising chaos.
Sullivan turned sharply, his eyes narrowing. They’d come. Doyle’s boys.
Kreationsübersicht von Vincent
Foggy 1880s Dock at Night in Film Noir Style
A dramatic image of a foggy, moonlit dock in 1880s New York, with silhouetted figures near a burning warehouse. The scene evokes a film noir aesthetic with cinematic lighting and gritty textures.
Erstellt von JellyDonut am Sep 11, 2024 unter Verwendung des Flux KI-Bildgenerator-Modells.
15 Kommentare
An der Unterhaltung teilnehmen
John Doe @JoeNessuno
great image, really well done!
2024-09-12T16:00:02.602ZReply
Goodness gracious JD this is awesome, I keep coming back for more! Waiting!! ✨✨✨
Artist
He stepped forward, the mist swirling around his boots as if the city itself was breathing in the violence. His lieutenant, Red Callahan, was at his side in seconds, his brow furrowed, a revolver already drawn.
“Ambush,” Red spat, his voice low but steady. “They’ve hit the warehouse.”
Sullivan’s jaw clenched. He could hear the gunfire growing louder, closer. It wasn't just an attack on the docks; this was an open declaration of war. Doyle wasn’t probing anymore. He was striking, bold and reckless, trying to knock Sullivan off balance before he could retaliate.
“Who’s at the warehouse?” Sullivan asked, already calculating the next steps.
Kreationseinstellungen
- Voreingestellter Stil
Cinematic
- Text-Prompts
- The scene is set at a dimly lit dock in 1880s New York City, shrouded in thick, swirling fog. The moonlight barely pierces through the mist, casting a cold, pale glow over the water. The weathered wooden pier stretches out into the dark harbor, lined with crates, barrels, and the shadowy outlines of ...Weight: 1Cinematic film still, shot on v-raptor XL, film grain, vignette, color graded, post-processed, cinematic lighting, 35mm film, live-action, best quality, atmospheric, a masterpiece, epic, stunning, dramaticWeight: 0.9
- Modell
CKPT- Anfangsauflösung
Medium
- Seitenverhältnis
1:1
- Laufzeit
Short
- Gesamt-Prompt-Gewicht
50%
