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Girl's Double Life: Etched Woodcut Print in Horror Style
Girl's Double Life: Etched Woodcut Print in Horror Style
2 years ago

deep, etched woodcut print, fine detail, of a pretty, popular girl leading a double-life in a small town while the world rots, deeply distur...

Erstellt vor 2 years ago · 2 kommentare· 0 Likes

SDXL 1.0 + Image PromptSDXL 1.0 + Image Prompt

"Overall, Erin's portrayal is nuanced and multifaceted. Her relatability stems from her internal conflicts and her pragmatic approach to the extraordinary situation the group faces. Her role within the outsider group highlights her value as a thoughtful and strategic member." - Google Gemini. I work with different expectations in my writing, what does it mean to be "strong" for a man and for a woman? Is Erin "strong" because of the hard choices she has to make and her unflagging moral compass? Does a town drenched in blood recognize her as such?
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Kreationsübersicht von Vincent

Girl's Double Life: Etched Woodcut Print in Horror Style

This image shows a girl with a double life in a decaying town. The artwork features disturbing, high-contrast line art reminiscent of woodblock prints, with abstract fractal and Zentangle elements.

Erstellt von Omnibus am Nov 17, 2024 unter Verwendung des SDXL 1.0 + Image Prompt KI-Bildgenerator-Modells.


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Kreationseinstellungen

Text-Prompts
deep, etched woodcut print, fine detail, of a pretty, popular girl leading a double-life in a small town while the world rots, deeply disturbing line art, high contrast, wood block printing, intense, abstract vector fractal, wave function, Zentangle, 3d shading, horror Gustave Doré Greg Rutkowski
Weight: 1
Modell
SDXL 1.0
CKPT

SDXL 1.0

Anfangsauflösung

Medium

Seitenverhältnis

1:1

Laufzeit

Short

Gesamt-Prompt-Gewicht

95%

Verfeinerungsgewicht

5%

Rauschgewicht

55%

Abtastmethode

K_DPMPP_2M

Bild-Prompt

Stärke: 50%

Methode: Full

deep, etched woodcut print, fine detail, of a pretty, popular girl leading a double-life in a small town while the world rots, deeply distur...

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