The World of Flowers investigates flowers not as decoration, but as psychological states. Each work treats a flower, seed, root, thorn, petal, or garden as a metaphor for human inner life: origin, desire, wound, defense, memory, loss, survival, and renewal.

The collection follows a symbolic cycle. It begins with a seed hidden in the earth and moves through blooming, injury, resistance, social control, separation from origin, memory, withering, subterranean survival, and finally the quiet return of life through a new seed.

These images do not present flowers as ornamental beauty. They present them as fragile witnesses of existence. In this world, beauty is inseparable from vulnerability, and every flower becomes a negotiation between light and wound.

Central idea:
Every flower is a silent consciousness: born from the earth, shaped by light, marked by time, and carrying something deeply human.

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