“Is that the lesson, pretty much? The reason I’m here?” I ask in gentle sincerity.
“You envy - desire! - Your moment, and it’s coming. I, we, want you to understand it may not be a moment you particularly enjoy.” That’s the catch in her eyes, in that smile. “It’ll be riding fire and death. From the sky, even.”
She pauses, and we both nod. I’d say It’s sobering, but I’m way far from that still. Instead, I say, “Yeah. Who’s ever heard of that? We all thought the thing in Operka was a fluke.”
“Nope. Prophecy.” She smiles, indicates a door I hadn’t noticed. “Now the real trip begins. Go brave the streets home on this stuff. Ha!”
And the room is a room. She’s still a knock-out, and the trip is very strong, but the magic has done its thing, and I feel awesome, but humbled and eager to leave. Never messed with big magic before, but I suspect they got more outta me than the other way around.

A softly lit portrait of a woman with a warm smile and subtle freckles. The intimate setting and cinematic lighting enhance her inviting gaze in a style reminiscent of classic portraiture.

Inviting Portrait with Warm Smile and Cinematic Lighting

Full body Photo-realistic A young Caucasian woman with dark hair and well-proportioned adult body, facial features include delicate cheekbon...

MCP 17 And as she looks at me like that, I figure I probably will be alright.

1723713290238

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A hyperrealistic digital artwork of Marge Simpson rendered as a real person, screaming. The image features a spiral composition, vibrant colors, intricate details, and dramatic, macabre elements.

Hyperrealistic Marge Simpson in Agony: Digital Art

hey Homer 

But the muted non-color does not, in any way, freak me out. Comfort without the stakes of losing it, which I think I could indulge in right now. I nod my appreciation but I doubt she sees it, and there are cars, and light beams come off of them in fantastic ways. I vaguely recall I live in the direction behind the one I’m facing. My body will not Shift, it has to turn, because it’s a body.
“Mister, you need a guide?” She asks, and it’s innocent, and good. “Lotta Folk come outta there, drunk-like.”
I grab a tree that isn’t there, because I don’t have the power to summon, duh. A guide sounds good.
“Drink,” I say. “I’ll buy.”

This image shows a woman with striking European features posing with a teal 1930's Bugatti in golden light. The composition and lighting evoke Syd Mead's futuristic retro aesthetic.

Woman Posing with Bugatti, Retro-Futuristic Style

MCP18 Her eyes are sapphire, and I just learned that’s envy’s cousin.

Mixed media collage 

A Scarecrow wearing a tattered brown coat, a hat with a jack o lantern head lunges at the camera.  Dirt, rot, and worm all over him.  Mouth...

A cinematic image of a scarecrow with a jack-o'-lantern head lunging forward. The scarecrow features mangled skin, glowing eyes, and overgrown vegetation. The image has a warm, grainy, autumnal aesthetic.

Eerie Scarecrow with Pumpkin Head in Cinematic Style

Pumpkin King: Scarer of Crows

This image shows a gallows with a silhouette hanging from it, constructed from dark, sticky fibers. Messy, dark red drips spread outwards. The artwork is evocative of an oil painting.

Gallows Silhouette in Fibers: An Oil Painting

Tearing 01

A watercolor painting of a serene lake at dusk, shrouded in mist. The artwork showcases intricate details, a vibrant color palette, and textured brush strokes reminiscent of impasto techniques in gouache.

Evening Haze Lake: Watercolor Gouache Impressionist Painting

lake in the evening haze, by Stewart Edmondson, Thomas Wells Schaller and Nita Engle, meticulous, intricate, entangled, intricately detailed...

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Flamenco Sea Anemones

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