in the style of Peter Gric, Carne Griffiths, Arthur Hacker, (Ernst Haeckel:2.0) and (Erin Hanson: 2.0)

Fascinating combo in that it's consistently popping out isolated surreal elements (corresponding to localised elements in the start image) in the midst of less stylised landscapes. Gric's very Giger-like style and surreal subjects seem to be selectively overlaid on Haeckel's botanical and biological specimens, which are themselves popping out as localised elements (a characteristic of such illustrations). It works because Haeckel's heavily contoured illustration style is quite similar to naturalist illustrations but very different from the soft liquid styles of Griffiths and Hacker that fill out the landscape... I'm not sure how to make use of that in any practical way but it does show that it should be possible to have very different styles emerge in different regions of an image if you stack your style evolutions just so.