The Oracle

I'm surprised that no one's mentioned yet that the optical suggestions that the facture threatens to penetrate the substructure of critical thinking.

If you truly study the undertones behind the clouds, you can begin to understand the ontology in mind when a composition of transposing depths join together to create a piece such as this.

But to truly feel art without the mind, you need to remove the self from the artist. Attempt to allocate your own conscious bias when judging a work and remove it in the occasion so that you can be free to grasp at work’s deeper more truer subject. It’s core ethos. The id away from the ego, as it were, of not the artists, but the art itself.