Charcoal Portrait

This image is a close-up charcoal drawing of a weathered old fisherman with a white beard. Soft lighting and smudged lines highlight his wise eyes and rugged features, evoking a life at sea.

Old Fisherman Portrait in Charcoal Style

Charcoal

The old fisherman in the harbor

Woodland Animals in Winter

Magical Winter Forest Scene with Woodland Animals

Kış Mevsiminde Orman Hayvanları

This surreal artwork depicts a swirling tornado contained within a retro jello salad. A unique and bizarre visual concept.

Surreal Tornado Emerges from Vintage Jello Salad Art

A tornado inside of a vintage jello salad Surreal art

A charming illustration of a rabbit in a scarf eating a frozen berry. This watercolor-style scene captures quiet winter resilience in a snow-covered woodland.

Fluffy Rabbit Enjoys Winter Berry in Snowy Woodland

Rabbit's Winter Snack 

*Clara, when I was a child, I helped my village hunt, gather supplies and repair the fishing nets. It wasn’t until after your surprise visit that I left and… well… apparently I learned to read eventually.*  Trying to remember these things hurt. She had not expected this, but it did hurt. 

Clara, sensing her pain, gave her an apologetic look, smiled and said: *Hey, I’m sorry, I didn’t mean to hurt you. I won’t pry. But…* and she took another dive under the console before she returned from the depths with a red book in her hand. *… I will now make you read a book you absolutely MUST have read once or twenty times in your life. Especially when you’re getting moody and a little nonsense might chase the clouds away.*

A semi-realistic digital illustration of Maisie Williams as Ashildr, looking haunted by memories in the TARDIS. Features watercolour, ink, and expressive outlines in a graphic novel aesthetic.

Maisie Williams as Ashildr in TARDIS, Graphic Novel Style

Auteur Graphic Novel Ink & Watercolor

05/ The downward spiral

*Nooo, I don’t wanna, not another one.* Ashildr cried and stared helplessly at the ceiling. Whenever Clara had said *you absolutely must read this* she wouldn't let go until Ashildr picked up the book and promised to give it a try. Most often, however, she could not really feel the special connection Clara assigned to her book. 

She was not against reading books per se, but there were so many stories regarded as classics that either reminded her of a time and age she had once lived in and would have very much liked to not be reminded of (the 17th Earth century held some very unpleasant memories) or told stories she would rather have any recollection of but plain and simply had forgotten about. 

Humans weren't build for immortality and Ashildr had to learn it the hard way. 

This image captures Maisie Williams as Ashildr and Jenna Coleman as Clara inside the TARDIS. Rendered in a semi-realistic graphic novel style with watercolour and ink elements.

Ashildr and Clara in the TARDIS, Graphic Novel Style

06/ Another one?

Her memory was limited and one day in one life of hers she simply started to forget. It wasn't until then that she had started to journal her experiences and different lives, but even then she had to realise that her apparent immortality did not quite help. 

If you live forever, how do you decide which moment is important enough to write down? If you made similar experiences in different eras, is this even noteworthy or just the nature of human life, making similar experiences throughout the ages?

Books did not really help take her mind off things when she had lived in that particular time and age. Mounting a horse, robbing carriages, or managing a secret town full of alien refugees, on the other hand, kept her busy. Adventure, the thrill, dopamine rushing through her veins. She loved everything about this. 

This digital illustration depicts Maisie Williams as Ashildr inside the TARDIS, seated thoughtfully. The artwork features expressive outlines and ink splashes, reminiscent of a graphic novel.

Maisie Williams as Ashildr in TARDIS, Reflective Mood

07/ Mind set on you

As did Clara, she mused. Why was it that she dived headlong into danger every opportunity she could get? With herself, it was quite easily explained, philosophical and existential musings aside - Ashildr could not die (for long), so she had nothing to fear, really. 

But Clara? So fragile, always half a heart-beat away from certain death. And after Gallifrey, even more so. 

Ashildr still could not quite wrap her head around the whole "scattered throughout the timeline" thing. She remembered thinking about this for a decade or two at the pocket at the end of the universe, but decided instead of making any sense it only made her head hurt. 

Granted, the universe did not make sense either, but it followed certain patterns you could get used to if you had the time. And she had plenty of _that_.

This digital illustration depicts Maisie Williams as Ashildr inside the TARDIS, lost in thought. Translucent memories of Clara Oswald running from Cybermen appear nearby, rendered in a graphic novel style with watercolour and ink.

Ashildr Contemplating Memories in TARDIS

08/ Thrill

thank you, Philip! appreciate the comment ♥️ 

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This image showcases a hyper-realistic render of a wide jar brimming with diverse flowers like lilies, daisies, and orchids. It features a contemporary fine-art composition with organic abstraction and mixed-media textures.

Create your own bright glory images

Glory Bright

Hyper-Realistic Floral Arrangement in Fine Art Style

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