Jennifer Love Hewitt is a Gothic demoness dressed in black leather stands in the Church of Saint Nicholas surrounded by thargoyles.

The social commentary here is blunt, sometimes too blunt. Jack’s toxic masculinity, Sarah’s economic struggles, and the nightclub encounters with shallow womanizers all make their point but risk belaboring it. Some of these sequences drag, slowing the pace in ways that undercut the film’s momentum. Charlotte punishes men for their arrogance, corrupt detectives for their sleaze, even seemingly perfect neighbors for their hidden sins. She becomes judge, jury, and executioner always out of self-interest.