The camera slowly pushes toward the woman as she steps farther into Guernica. Her reaching hand remains briefly in the gallery while her body transforms into angular black, white, and grey painted planes. Around her, the horse turns its head slightly, the figures shift, and the stark light flickers once. Keep the original composition, cubist forms, and monochrome palette intact. Movement is solemn and restrained. The camera stays in one continuous shot; no cuts, new objects, or colour.